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Performing Art · Ladakh

Ladakh Cham (Spituk Gustor)

Cham

The Buddhist-mask dance of the Ladakhi monastery — performed at the annual Gustor festival of the Spituk, Thiksey, Hemis and Diskit monasteries, with the masked dance of the protector deities of Tibetan-Buddhism.

Understand

Where Ladakh Cham (Spituk Gustor) comes from

Cham is the central Buddhist-mask dance tradition of the Ladakhi monasteries, performed at the annual Gustor festival (the central Buddhist festival of Ladakh, held at the 11th month of the Tibetan calendar) of the Spituk, the Thiksey, the Hemis and the Diskit monasteries. The dance is associated with the worship of the protector deities (the Mahakala, the Yamantaka, the Mahakali, the Palden Lhamo) of Tibetan-Buddhism. The form is part of the broader Tibetan Buddhist-mask tradition and is one of the most distinctive regional traditions of Ladakh. The dance is regularly performed at the cultural programmes of the state and at the Gustor festival of the monasteries.

How it's practiced

Cham is performed by monks of the Ladakhi monastery in a circle at the central courtyard of the monastery or at the open ground of the Gustor festival. The monks wear the elaborate mask of the protector deities and the embroidered silk costume of the Tibetan tradition. The dance is vigorous, with the small warrior-steps of the Cham vocabulary. Music is the long horn (the rong-chen), the large cymbals (the rol-mo and the rol-silnyen) and the small cymbals of the monastery. Costume is the elaborate Tibetan silk costume with the painted mask. Performances are at the central courtyard of the monastery and at the cultural programmes of the state.

The Buddhist-mask dance of the Ladakhi monastery — performed at the annual Gustor festival of the Spituk, Thiksey, Hemis and Diskit monasteries, with the masked dance of the protector deities of Tibetan-Buddhism.

From discovery to practice

The Journey

01

Understand

Where Ladakh Cham (Spituk Gustor) comes from, why it started, and what it means today.

02

See it

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03

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04

Practice

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